Having already shown, in 1999's
In a Dry Season, that he can plumb historical homicide for gripping modern drama, Peter Robinson goes further in
Close to Home, telling parallel stories about teenage boys lost in a grownup world, decades apart. The first is Graham Marshall, a childhood pal of Detective Chief Inspector Alan Banks, who vanished mysteriously in 1965, the supposed victim of a pedophile. Hearing that Graham's bones have finally been unearthed, Banks quits his vacation in Greece and heads to his hometown of Petersborough, England, hoping to assist the investigation--and, perhaps, assuage his guilt over his friend s fate. Meanwhile, Banks's colleague and ex-lover, Annie Cabbot, is busy probing the recent disappearance of 15-year-old Luke Armitage, the sensitive, brainy son of a rock star who committed suicide during Luke's infancy. After Cabbot catches hell for interrupting what may or may not have been a legitimate ransom payment for Luke's return, she seeks Banks's advice, drawing these two plot lines neatly together.
As this intense and intricately crafted puzzler develops, blending fiction with a bit of fact (the Kray brothers, who ran a criminal ring in London's East End during the mid-20th century, play off-camera roles here), Robinson explores Banks's troubled relationship with his parents, especially his working-class father, who "had never approved of his choice of career." He also raises doubts about a famed copper who d originally tackled the Marshall case, involves Banks romantically with a damaged detective whose investigative diligence threatens her safety, and shows Cabbot as someone better and stronger than merely Banks's prot g . Working with themes of lost youth and the dark secrets hidden in small towns, Robinson delivers in this 13th Banks novel a police procedural of remarkable human depth. --J. Kingston Pierce
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