The Desire to Desire: The Woman's Film of the 1940s (Theories of Representation and Difference)

What is female spectatorship? When Hollywood films are geared for an audience of women, what ideals do they tend to promote? How should feminist theory contend with the image of women that the cinema passes on? In The Desire to Desire Mary Ann Doane responds to these questions, focusing specifically on "woman's pictures" of the 1940s. She argues that while most of the films she discusses are conceived through lenses that are masculine in nature, feminists attempting to critique these films should not dismiss them as sexist or attempt to develop a way of seeing that is simply the opposite of the one handed down. Instead, Doane offers a critique of vision itself, contrasting the way the camera views the women in these films, the way the films' female characters look out onto their worlds, and the way the Hollywood movie industry manufactures images that it expects female audiences to consume.