Burt Lancaster: An American Life

If you have any serious interest in movies, you've got to read NPR pundit Kate Buford's sharp-eyed, meticulous, intelligent account of Burt Lancaster's life and work. The most inward of actors--director Luchino Visconti called him "the most perfectly mysterious man I ever met"--Lancaster spurned most press attention. Buford proves there was more to the No. 1 box-office star of Elmer Gantry and From Here to Eternity than muscles and big capped teeth. Growing up in Mob-ruled Harlem (Vincent "Mad Dog" Coll perpetrated the famous "baby massacre" on Lancaster's block), Lancaster ran off to the circus as an acrobat, went to war, and hit stardom at 33. Sweet Smell of Success cowriter Clifford Odets said there were seven Burts, including "Inscrutable Burt" and "Monster Golem Burt." He intimidated Montgomery Clift and Norman Mailer, threatened to toss his producer out a window, slugged Margot Kidder, put a girlfriend in the hospital by hurling her in the air just like his character in Brute Force, and made Kirk Douglas cry by mocking his elevator shoes. After he seduced costar Yvonne De Carlo in her mink coat (he also bedded Deborah Kerr and Marlene Dietrich), the mother of his five children comforted herself with innumerable minks and bottles of booze. His kids were neglected; the son whose baseball team Lancaster coached wrote The Bad News Bears, capturing Burt in the gruff Matthau character.

Buford notes that the seducer Gantry and control freak J.J. Hunsecker were closest to the real Burt, while the Birdman of Alcatraz was who he wanted to be. She takes us behind the scenes, showing precisely what the actor contributed (and threatened to undermine) in his great films, including his Oscar win as producer, Marty. Buford also explains how his independent film company anticipated many later trends but blew it by overspending on script development, and assesses his brilliant deconstruction of his own legend as the lion in winter of Local Hero and Atlantic City. And she puts all gossip in perspective. Burt's jealousy as he fumed in his car outside the house where his ex Shelley Winters was bedding Marlon Brando had a film-historical importance: Brando also stole Stanley Kowalski and the Godfather roles from Burt, and he represented the Method acting style Burt strenuously opposed for the first half of his career. Because he was too smart and curious to stick with one persona, and more interested in art than money, Lancaster needs a landmark biography. He's got one now. And you must check out his full-backside nudity on the back cover! --Tim Appelo