Michelangelo Antonioni, who died in 2007, was one of cinema s greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s L avventura, La Notte, L eclisse are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni s greatest works. Writing in an accessible style that evokes Antonioni s expansive use of space, Pomerance discussesThe Red Desert, Blow-Up, Professione: Reporter (The Passenger), Zabriskie Point, Identification of a Woman, The Mystery of Oberwald, Beyond the Clouds, and The Dangerous Thread of Things to analyze the director s subtle and complex use of color. Infusing his open-ended inquiry with both scholarly and personal reflection, Pomerance evokes the full range of sensation, nuance, and equivocation that became Antonioni s signature.