Neither East Nor West: One Woman's Journey Through the Islamic Republic of Iran

The recent opening of Iran has been met by the curiosity of a number of writers wanting to understand and illuminate a country that has been shrouded by a lack of access--and prejudice--for three decades. Neither East Nor West joins Honeymoon in Purdah by Alison Wearing and Persian Mirrors by Elaine Sciolino in its humane examination of Iran and its willingness to lay aside the received orthodoxies of both nations and listen with a receptive (if not always open) mind. Once again, Iranians reveal themselves to be a generous, literate, and fun-loving people, and their nation far more complex, multilayered, and Westernized than news stories reveal.

As a young child, Bird spent three years in the northwestern town of Tabriz where her father served as a doctor for the Presbyterian ministry. She returned in 1998 to see the effects of the Islamic Revolution herself. One of her first acts was to look for the infamous DEATH TO AMERICA sign which hung at the Laleh International Hotel.

Two hotel employees with grizzled cheeks gave me a half-flirtatious, half-interrogatory stare. Taking a deep breath, I asked them about the sign.

"Gone! Gone!" they said, laughing as if I were asking about ancient history. "You are American?"

This could be the theme of Bird's travels, where everyone--from security police to government officials to men yelling "Welcome to Iran!" as they whiz by on their scooters--are practically ecstatic to meet an American. In the privacy of their homes they watch the Flintstones and CNN, listen to Michael Jackson and Metallica, drink alcohol and complain, mostly about the economy. In the end, Iranians start to seem not so unlike Americans in many ways--criticizing their government while loving their country all the same.

The fact that Bird, like Sciolino and Wearing before her, is a woman makes her story even more interesting, as she looks behind the veil and finds both the power and the constrictions that it represents. Her biggest strength is in asking direct questions about such ticklish issues as women's rights, but at times, her of lack heavy-handedness is enough to make you squirm. Wearing, with her lovely sense of humor and openness, did a superb job befriending and capturing the people. Bird, on the other hand, seems to have no sense of humor and has an irritating habit of getting irritated. Nevertheless, she fills in the essential historical and political background Wearing couldn't be bothered with. Together, the two paint a penetrating portrait of a rich and evocative land. --Lesley Reed