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It seems even a sadist can love, and in his own way, the Marquis de Sade loved his wife. Even more remarkable is that Pélagie apparently returned his affection devotedly for many years, despite frequent scandals, jailings, and even an affair with her own sister. Gray draws extensively on letters written by Sade, his wife, and his mother-in-law to paint a vibrant picture of an unorthodox marriage, a period of great political upheaval, and a complicated bond between mother and daughter. Gray also places the Marquis's writing in a context that, while forthrightly characterizing it as "the crudest, most repellent fictional dystopia ever limned, the creation of a borderline psychotic whose scatological fantasies have grown all the more deranged in the solitude and rage of his jail cell," also acknowledges its "recklessness and daring" as well as its influence on later writers from Swinburne and Baudelaire to Octavio Paz and Luis Buñuel. Sex, art, religion, and politics--At Home with the Marquis de Sade addresses them all with the intelligence and insight one has come to expect from Francine du Plessix Gray.