In 15 short stories, Amanda Davis takes the raw emotions of love and loss and throws them into surreal perspective. Sometimes the stories are explicitly fantastic and dreamlike, like the romance with the "boy who chased freight trains" in "Chase." Sometimes the lines between reality and fantasy are blurred--the high school protagonist of "Faith
or Tips for the Successful Young Lady," for example, has a "fat girl" companion that only she can see, a mocking chorus that forces her to recall the traumatic incident that led to her suicide attempt. And sometimes the surrealism comes from slowing a "realistic" moment down to closely examine its various perceptual components, as in "The Very Moment They're About," which captures two adolescents just before their kiss. Or in this scene from the title story, when a jilted lover jumps off the Williamsburg Bridge:
Later it is the air she will remember. The sharpness of it as she inhaled: crisp like paper. She could have been breathing paper. There was a rush of sound, like a train passing, or maybe like she was the train. Thick colors swirled and time became molasses as her legs slowly tumbled around behind her and then over her head. She thought that it was like being inside a spin-art toy. She was the blob of paint spreading thinly every which way, spindling in all directions, pulled flat, slow and hard. That was how she tumbled and then time caught up with itself and she dropped.
That intricate dissection of a moment's sensual and emotional register comes through in even the most naturalistic of these stories ("Red Lights Like Laughter," "The Visit").
Circling the Drain reveals Amanda Davis as a skilled crafter of character and tone, and marks her as an author to watch for some time to come.
--Ron Hogan
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