Self-Fashioning in Margaret Atwood's Fiction: Dress, Culture, and Identity Buy on Amazon

https://www.ebooknetworking.net/books_detail-0820467642.html

Self-Fashioning in Margaret Atwood's Fiction: Dress, Culture, and Identity

62.65 65.95 USD
Buy New on Amazon 🇺🇸 Buy Used — $50.04

Usually ships in 24 hours

Book Details

ISBN / ASIN0820467642
ISBN-139780820467641
AvailabilityUsually ships in 24 hours
Sales Rank5,143,137
MarketplaceUnited States  🇺🇸

Description

This study examines the associations between dressing and storytelling in Margaret Atwood’s fiction. As cultural representations operating within a network of codes, clothed bodies are often discussed by theorists as constructed performances or as fabricated texts, inextricably bound up with ideology and power. The clothed body often becomes a battleground in Atwood’s fiction as female protagonists respond to divisive cultural scripts through self-fashioning. Furthermore, Atwood seems to collapse the opposition between the material and the spiritual through clothing, to consider dress a fitting metaphor for the space between the natural and the supernatural. While the connections among dress, body, and story are visible from Atwood’s earliest novel forward, they achieve their most unified and powerful effect in The Robber Bride (1993) and Alias Grace (1996). In these novels, Atwood draws upon the classical idea that the body clothes the soul to create a postmodern frame for the complex relationships among subjectivity, representation, voice, gender, and culture.

More Books in Literary Criticism

Donate to EbookNetworking
The Family in Twent...Prev
The Fashioning of M...Next