Macbeth: A Verse Translation (Enjoy Shakespeare)
Book Details
Author(s)William Shakespeare
PublisherFull Measure Press
ISBN / ASIN0975274384
ISBN-139780975274385
AvailabilityUsually ships in 24 hours
Sales Rank2,603,529
MarketplaceUnited States 🇺🇸
Description
This complete, line-by-line Macbeth translation makes the language of Shakespeare's play more modern while preserving the metrical rhythm, complexity, and poetic qualities of the original. The aim is to capture the sound and sense of Shakespeare's tragedy without the need for glosses or notes--to use contemporary language without simplifying or modernizing the play in any other way.
Features
Experience this tale of ruthless ambition with the challenge, comprehension, and delight of audiences 400 years ago--the way Shakespeare intended.
"Too often, unless we read a Shakespeare play beforehand, we process the language as if it were coming from a poorly tuned-in radio station. Shakespeare didn't write his plays to be experienced impressionistically as 'poetry;' he assumed his language was readily comprehensible. At what point does a stage of a language become so different from the modern one as to make translation necessary? Mr. Richmond is brave enough to assert that, for Shakespeare, that time has come. The French have Moliere, the Russians have Chekhov--and now, we can truly say that we have our Shakespeare."
                              --John McWhorter, Manhattan Institute
Features
- Line-by-line verse translation, not a prose paraphrase.
- Complete. No lines deleted or simplified.
- Accurate and authentic iambic pentameter.
- True to the feel and look of Shakespeare's original.
- Tone, complexity, and poetic devices preserved.
- Vocabulary range matches Shakespeare's.
- Uncluttered, easy-to-read layout.
- Ready for theatrical performance.
Experience this tale of ruthless ambition with the challenge, comprehension, and delight of audiences 400 years ago--the way Shakespeare intended.
"Too often, unless we read a Shakespeare play beforehand, we process the language as if it were coming from a poorly tuned-in radio station. Shakespeare didn't write his plays to be experienced impressionistically as 'poetry;' he assumed his language was readily comprehensible. At what point does a stage of a language become so different from the modern one as to make translation necessary? Mr. Richmond is brave enough to assert that, for Shakespeare, that time has come. The French have Moliere, the Russians have Chekhov--and now, we can truly say that we have our Shakespeare."
                              --John McWhorter, Manhattan Institute










