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Independently and through prestigious commissions, photographer Jenny Okun has traveled the world for more than twenty-five years creating dazzling, multi-layered interpretations of buildings by Frank Gehry, Richard Meier, Richard Rodgers, and many other renowned architects. Commissions have included the J. Paul Getty Museum; the Tate Modern; and the Whitney Museum of American Art. This is the first major book of Okun’s photography.
“Okun’s artwork,†writes Craig Krull, “consists of large-scale color photographic abstractions of architectural works. Rather than produce literal representations of buildings, Okun distills the essential qualities of form, texture, color, and detail . . . developing a Cubist interpretation of forms.â€
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“Looking at architecture,†Okun has written, “is like listening to music. Both are dramatic forms that reveal multiple, repeating themes. Above all, both need time. Just as a symphony cannot be experienced in a few seconds, it is impossible to see a whole building, all at once. When I photograph a building, I feel as if I am conducting with my camera, as I explore the architect’s themes in time and space. The harmonious overlapping shapes create new playful variations on the theme of the original architecture.â€
The preface to the book is by Pritzker Prize–winning architect Thom Mayne. With essays by Henry T. Hopkins and Michael Webb.