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Psalm searches for ways of verifying the world through art and experience. In a narrative arc, Psalm takes the poet from her fathers death to her sons birth. In between are all the elements of the imagination: faith, art, music, culture. This world expands to include Vermeers nuns, Cornell on a bike ride on the Brooklyn promenade and the sound of Django Reinhardt all simultaneous to her sons cries, his presence. The poet moves forward inside and then away from grief. Her lyric poems begin to furnish the afterlife, even as they do the time before birth.