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The Complete Cul de Sac Volume Two

Book Details

ISBN / ASINB00HRVOY52
ISBN-13978B00HRVOY57
Sales Rank778,416
MarketplaceUnited States  🇺🇸

Description

Cul de Sac began newspaper syndication in September 2007 and ended in September 2012, when creator Richard Thompson retired to focus on treatment for Parkinson's disease. In its too-short time on the comics page, Cul de Sac garnered an avid fan base, a Reuben and a Harvey Award, and remarkable admiration from the cartooning community. In tribute to the strip, all the cartoons that were ever published are gathered here and as a bonus, there are selections of Richard Thompson's pre-syndication Cul de Sac watercolored Sundays.

 If you haven't discovered Richard Thompson's wonderful Cul de Sac comic strip, you are in for a real treat. Cul de Sac is noted not only for its humor and intelligence, but also for creator Richard Thompson's fun, imaginative watercolor artwork. Thompson's drawings, along with his pitch-perfect timing and gentle humor, made the cartoon an instant classic.

Cul de Sac is brought to life through manhole-dancing Alice Otterloop, a curious four-year-old who discovers life's ups and downs in suburbia. Along with her Blisshaven Preschool classmates, Alice charms fans of all ages with her escapades. From crafting projects in a cloud of glitter and glue or just trying to comprehend a completely incomprehensible world, Alice is a creature of pure and indomitable will, an irresistible force.

 Alice describes her father's car as a "Honda-Tonka Cuisinart" and talks to the class guinea pig, Mr. Danders. Alice is joined by her family: her older brother Petey who is intent on being the King of the Picky Eaters; her dad, who's the Assistant Director of Pamphlets at the U.S. Department of Consumption, Office of Consumer Complaints; and her mom, who is capable of doing a million things simultaneously, about five of them well.

 This library of cartoons and art will both delight longtime fans and provide a fantastic introduction to new readers.

 Includes an introduction by Art Spiegelman.

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