Kharma Krackers: Low in Sodium, High in Art (The Patchwork Chameleon Chronicles Book 2)
Book Details
Author(s)Ginger Freedom
PublisherGinger Freedom
ISBN / ASINB00KUCLI6S
ISBN-13978B00KUCLI64
Sales Rank3,189,589
MarketplaceUnited States 🇺🇸
Description
Series Description
In search of answers with regard to why her life is beginning to spiral out of control, Anne places God on the shelf, and Jesus on the shelf, and begins to ask for a manifestation of truth in her spirit, soul, mind, and body. She looks inward, and asks of the still small voice inside, "Why? Why have my siblings gone mad? Why do I feel like I am going mad myself?" Her heart responds and counsels "look to your childhood for answers to all of your unanswered questions." She does, and is somewhat perplexed by the big blank spaces in her memory. Anne embraces discovering what is in these memory gaps and opens herself up to the idea that there might be something lurking in the shadow of her unconscious.
To her shock, horror, and dismay, after a modern dance class, she has a flashback of being choked and sodomized. She begins to experience flashbacks daily and seeks out support. Anne is mortified when different aspects of her being with different names and gender identities begin to relive horrific experiences that seem impossible to have happened in an upstanding Catholic, and then born again Christian home. Anne, having no awareness that things such as PTSD or multiplicity existed comes to discover she has created a dissociative identity disorder in order to compartmentalize the trauma.
The Chameleon Chronicles recount the journey beginning from a place of strength having spent 22 years in the recovery process with the arts serving as a principal form of healing, transformation, and growth. Written as a memoir presented as fiction the first episode sets the stage for discovery of her condition concluding with how seeking writing as a means of narrative integration causes a deeper layer of trauma to be uncovered with struggles to understand what she experiences as mind control programming generated by perpetrators of organized abuse.
In search of answers with regard to why her life is beginning to spiral out of control, Anne places God on the shelf, and Jesus on the shelf, and begins to ask for a manifestation of truth in her spirit, soul, mind, and body. She looks inward, and asks of the still small voice inside, "Why? Why have my siblings gone mad? Why do I feel like I am going mad myself?" Her heart responds and counsels "look to your childhood for answers to all of your unanswered questions." She does, and is somewhat perplexed by the big blank spaces in her memory. Anne embraces discovering what is in these memory gaps and opens herself up to the idea that there might be something lurking in the shadow of her unconscious.
To her shock, horror, and dismay, after a modern dance class, she has a flashback of being choked and sodomized. She begins to experience flashbacks daily and seeks out support. Anne is mortified when different aspects of her being with different names and gender identities begin to relive horrific experiences that seem impossible to have happened in an upstanding Catholic, and then born again Christian home. Anne, having no awareness that things such as PTSD or multiplicity existed comes to discover she has created a dissociative identity disorder in order to compartmentalize the trauma.
The Chameleon Chronicles recount the journey beginning from a place of strength having spent 22 years in the recovery process with the arts serving as a principal form of healing, transformation, and growth. Written as a memoir presented as fiction the first episode sets the stage for discovery of her condition concluding with how seeking writing as a means of narrative integration causes a deeper layer of trauma to be uncovered with struggles to understand what she experiences as mind control programming generated by perpetrators of organized abuse.
