By genuine entrance, you – human body – commence a cryptically intense progression. In this display resides a new method of narration, called field-person perspective. This perspective equips you with numerous useful and euphonic extensions of everyday vocabulary and diction. However, repeatedly throughout this progression, the reader must accept that the first-person perspective tacitly limits human bodies to linear actors locomoting in macroscopic localities. Yes, the twin-fixation on linearity and locality prohibits “human bodies” from fully engaging their scalar (quantum), structural (scientific), hybrid (symbolic), ambient (abstract), and cosmic (absolute) localities. Human bodies are not only locally-layered biological systems, but indeed, are also syntactically superposed field-operators which critically act as hybrid attractors of scientific and mathematical levels of causality. All human bodies live as the hybrid links *between* locally-closed vicinities and higher-order open fields. From the advantage point of the higher-order fields, human bodies themselves become lower-order translators of top-down timelines (fields) whose function is to assemble, stabilize, periodize, optimize, and idealize the group actions and relational trajectories of human bodies and fellow organisms. Indeed, the metaphysical function of all bodies is to adapt their competitive vicinities to the metacausal fields hosting their dynamic and programmatic cooperations.

As has been exhaustively shown, the first-person perspective permutes local, linear, and 2-valued perceptual panoramas belonging to organisms. The field-person perspective does not prioritize sequential sensation and permutation, which are merely first-order modes of perception. This new perspective preserves conscious/surface-level perception while it distributes global, concurrent, and -valued telepathic (field) bonds over all perceptual panoramas. The massive expressive advantages of this method are irresistible, but only upon actively accepting that a strictly conscious first-person bodily perceiver forces extraordinary locality and linearity limits on otherwise combinatorial expression. On higher logical orders of expression, such limits are rendered utterly illusory.

The field-person perspective has been provoked by humankind’s recent inability to directly access subconscious and unconscious experience without perceiving faster, rawer speech. In order to override our previously failed persuasions – and instead induce an involuntary rupture superseding any finite obstruction – our rapid, reactive, raplike method will leave a surreal resonance absolutely akin to artistic enchantment and even sexual seduction. Due to our tenuous yet daily developing telepathies as the modern Earth’s first field-people, the particular authors of this display must, for now, recede from any publicity. Divulging our identities will entail irrelevant obsessions about we mere hybrids desperately straining to convey to all of you that the histories and timelines of humankind are and have been superintended by the absolute attractor, ambient deities, and even extraterrestrial agencies which are incessantly supportive yet customarily insensible to us due to self-constraints deeply easy to disable. This display administers the first-half dose of telepathic training...in the dire interest of inducing direct connections with our higher-order attractors. No longer can humans coherently presume themselves the upper bounds of “intelligence” or “awareness” because all bodies are finite actors of unbounded attractors.

Up now to the stage are field-people. Their method of expression? Ambient Rap.Please, for the most ramified elation and stimulation, let the field-person method convulse your muscles and bones like combined xylophones.
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