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Books by Publisher: CineAction

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51 books found — Page 2 of 2
The Ninth Day and The Downfall.(2004 TORONTO INTERNATIONAL FILM FESTIVAL)(Movie Review): An article from: CineAction
The Ninth Day and The Downfall.(2004 TORONTO INTERNATIONAL …
By: Susan Morrison
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... Simply because you're near me: Love, Chungking Express and In the Mood for Love.(Critical Essay): An article from: CineAction
... Simply because you're near me: Love, Chungking Exp…
By: Blair Miller
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Vive le cinema: a reading of What Time Is It There?(Critical Essay): An article from: CineAction
Vive le cinema: a reading of What Time Is It There?(Critica…
By: Aysegul Koc
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Collaborating agent: Charles Feldman and clients.(Report): An article from: CineAction
Collaborating agent: Charles Feldman and clients.(Report): …
By: Tom Kemper
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"SO WHERE ARE YOU?".(analysis of the film "Memento")(Critical Essay): An article from: CineAction
"SO WHERE ARE YOU?".(analysis of the film "M…
By: Dion Tubrett
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"Tone down the boobs, please!" reading the special effect body in superhero movies (1).(Superheroes)(Critical essay): An article from: CineAction
"Tone down the boobs, please!" reading the specia…
By: Sabine Lebel
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The consequences of seduction: Adolphe.(Movie Review): An article from: CineAction
The consequences of seduction: Adolphe.(Movie Review): An a…
By: Florence Jacobowitz, Richard Lippe
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Going Na'vi: mastery in Avatar.(Critical essay): An article from: CineAction
Going Na'vi: mastery in Avatar.(Critical essay): An ar…
By: Robert Hyland
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"I leave to several futures (not to all) my garden of forking paths": proto-interactivity in Late Fragment and the Tracey Fragments.(Essay): An article from: CineAction
"I leave to several futures (not to all) my garden of …
By: Patricia Gruben
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Border crossings: representations of North American culture in Bruce McDonald's Highway 61.(Critical Essay): An article from: CineAction
Border crossings: representations of North American culture…
By: Rochelle Simmons
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The Same, But Different.(marriage in comic motion pictures): An article from: CineAction
The Same, But Different.(marriage in comic motion pictures)…
By: Kathrina Glitre
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Of depth and surfaces; notes on Watchmen and other (non)reflections on phenomenological film experience.(Superheroes)(Critical essay): An article from: CineAction
Of depth and surfaces; notes on Watchmen and other (non)ref…
By: Kevin Wynter
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Black Christmas: the slasher film was made in Canada.(Critical essay): An article from: CineAction
Black Christmas: the slasher film was made in Canada.(Criti…
By: Sara Constantineau
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Screwball and the Masquerade.(women masquerading in comic motion pictures)(Correction Notice): An article from: CineAction
Screwball and the Masquerade.(women masquerading in comic m…
By: Robin Wood
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Postmodern anxieties: Renaissance: Paris 2054 as tech-noir.(Critical essay): An article from: CineAction
Postmodern anxieties: Renaissance: Paris 2054 as tech-noir.…
By: William B. Covey
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The party's over: Rollercoaster.(analysis of Scott Smith's film "Rollercoaster")(Critical Essay): An article from: CineAction
The party's over: Rollercoaster.(analysis of Scott Smi…
By: Robin Wood
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Metropolis: restoration, reevaluation.(Critical Essay)(Cover Story): An article from: CineAction
Metropolis: restoration, reevaluation.(Critical Essay)(Cove…
By: Susan Smith
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Two stories, one right, one wrong: narrative, national identity and globalization in Sliding Doors.: An article from: CineAction
Two stories, one right, one wrong: narrative, national iden…
By: David Martin-Jones
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Telling the (wrong) story: the disintegration of transcultural communication and narrative in The Fall.: An article from: CineAction
Telling the (wrong) story: the disintegration of transcultu…
By: E. Charlotte Stevens
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