Alexander Pope is a poet of some repute who leaves his country home to spend "the season" in London. He is a Catholic and, as such, is aware of the Jacobite plot to return James VII of Scotland and the House of Stuart to the throne of England, which has been usurped by Mary and William of Orange, Protestants who have instituted harsh rules against Catholics. This is one thread of the plot, as Alexander, the canny observer, puts two and two together and deduces who is involved with whom. Three families have long been associated with the Jacobites: the Fermors, the Carylls, and the Petres.
More to the point is the intrigue between Arabella Fermor and Lord Petre. The beautiful and haughty Arabella attracts Lord Petre instantly and they spend no time consummating their attraction--with everyone privy to it. Naturally, the expectation is that they will marry, even though Arabella is not wealthy enough to be a really good match. Alas, Lord Petre is prevailed upon by his family to give up Arabella and his doomed Jacobite intentions, marry another and save the family name. Further, he must make a public display of terminating the affair with Arabella.
All of this leads to Alexander Pope writing "The Rape of the Lock," in which a lock of "Belinda's" hair is cut--in public! In language and cadences reserved for 16th century novels, Gee has created a delightful and plausible romp through the practices, plots, romances, posturing and superficiality of Pope's time. It is known that his epic poem was concerned with the three families aforementioned; the rest might also be true, but almost three hundred years later what really matters is how much fun this is to read! --Valerie Ryan