Search Books
Walter Benjamin and History… O'Brien's The Things They C…

The Progresses, Pageants, and Entertainments of Queen Elizabeth I

Author Jayne Elisabeth Archer, Elizabeth E. Goldring, Sarah S. Knight
Publisher Oxford University Press
Category Literary Criticism
📄 Viewing lite version Full site ›
🌎 Shop on Amazon — choose country
104.50 110.00 USD
🛒 Buy New on Amazon 🇺🇸 🏷 Buy Used — $154.11

✓ Usually ships in 24 hours

Share:
Book Details
ISBN / ASIN0199291578
ISBN-139780199291571
AvailabilityUsually ships in 24 hours
Sales Rank3,079,791
MarketplaceUnited States 🇺🇸

Description

More than any other English monarch before or since, Queen Elizabeth I used her annual progresses to shape her royal persona and to bolster her popularity and authority. During the spring and summer, accompanied by her court, Elizabeth toured southern England, the Midlands, and parts of the West Country, staying with private and civic hosts, and at the universities of Oxford and Cambridge. The progresses provided hosts with unique opportunities to impress and influence the Queen, and became occasions for magnificent and ingenious entertainments and pageants, drawing on the skills of architects, artists, and craftsmen, as well as dramatic performances, formal orations, poetic recitations, parades, masques, dances, and bear baiting.

The Progresses, Pageants, and Entertainments of Queen Elizabeth I is an interdisciplinary essay collection, drawing together new and innovative work by experts in literary studies, history, theatre and performance studies, art history, and antiquarian studies. As such, it will make a unique and timely contribution to research on the culture and history of Elizabethan England. Chapters include examinations of some of the principal Elizabethan progress entertainments, including the coronation pageant Veritas temporis filia (1559), Kenilworth (1575), Norwich (1578), Cowdray (1591), Bisham (1592), and Harefield (1602), while other chapters consider the themes raised by these events, including the ritual of gift-giving; the conduct of government whilst on progress; the significance of the visual arts in the entertainments; regional identity and militarism; elite and learned women as hosts; the circulation and publication of entertainment and pageant texts; the afterlife of the Elizabethan progresses, including their reappropriation in Caroline England and the documenting of Elizabeth's reign by late eighteenth- and early nineteenth-century antiquarians such as John Nichols, who went on to compile the monumental The Progresses of Queen Elizabeth (1788-1823).
Egyptian Literature
View
Utopia Paraiso E Historia: Inscripciones Del Mito En G…
View
Nation, State, and Empire in English Renaissance Lite…
View
On the Outskirts of Form: Practicing Cultural Poetics
View
Genre at the Crossroads: The Challenge of Fantasy
View
Profiles in Canadian Drama: James Reaney
View
Monty Python, Shakespeare and English Renaissance Drama
View
Modes of Faith: Secular Surrogates for Lost Religious …
View
Latino Los Angeles in Film and Fiction: The Cultural P…
View