The title is appropriate: the book is modeled after master classes with performance artists; for example, operatic training with Maria Callas. The readers get to see, in detail, Caponigro's techniques and read his philosophies. This demonstration includes Photoshop basics that apply to all types of digital imaging, including calibration, adjustment layers, variations, levels, and curves. It also covers visual principles that are essential to photography in general, like proportion, scale, light, and shadows (including Ansel Adams's Zone system), and--important in the author's own work--reflection and tessellation.
The images, which are generally devoid of the human form, have an otherworldly stillness. Their quiet intensity translates well into book form: the typography and layout resemble a museum catalog, with widely leaded, delicate lines of type. Readers who prefer skimming through how-to books for quick results will be daunted by the level of in-depth attention that this book demands. On the other hand, those who hope to use Photoshop for high-end digital imaging (not just preparing JPEGs for the Web or 600-dpi images for print) will be rewarded by the author's extensive experience and painstaking attention to detail.
Most chapters discuss different issues (e.g., color or shadows) and use Caponigro's images as examples. The discussion is in a narrative form, with quotes and references to artists of all kinds, from Matisse to Goethe. It's like gaining admission to the most competitive graduate seminar, hosted by a renowned artist-in-residence. --Angelynn Grant
Topics covered:
Techniques for using Photoshop (version 5 or higher) on fine digital imaging, including:
- Monitor calibration
- Image resolution
- Applying levels and curves to the Zone system
- Output to print or film
And photographic issues and Photoshop methods used in the author's work, including:
- Photomontage
- Proportion
- Contrast
- Color
- Multiple exposure