Narrative, Apparatus, Ideology

Smartly selected and organized, the essays in this anthology introduce several central issues in film theory, namely, the classical narrative text, oppositional and avant-garde cinema, subject positioning, the cinematic apparatus, and ideology. Written by seminal scholars, including Christian Metz, Jean-Louis Baudry, Stephen Heath, Peter Wollen, Laura Mulvey, and Noël Burch, as well as such leading thinkers as Roland Barthes, Julia Kristeva, and Jean-François Lyotard, these works utilize a number of approaches in their analyses, particularly structuralism, poststructuralism, psychoanalysis, feminism, neoformalism, Marxism, and semiotics. Divided into sections, the anthology features introductions to each group of essays outlining the major assumptions, ideas, and arguments of the articles and situating them within the history of film theory, narrative analysis, and social and cultural theory.

• Change Mummified: Cinema, Historicity, Theory
• What Is Cinema? Vol. 1
• The Seminar of Jacques Lacan: The Four Fundamental Concepts of Psychoanalysis (Vol. Book XI) (The Seminar of Jacques Lacan)
• Psychoanalytic Film Theory and The Rules of the Game (Film Theory in Practice)
• Death 24x a Second: Stillness and the Moving Image
• The Mass Ornament: Weimar Essays
• Post Cinematic Affect
• Babel and Babylon: Spectatorship in American Silent Film
• Femmes Fatales: Feminism, Film Theory, Psychoanalysis
• Image-Music-Text