Bellissima: Feminine Beauty and the Idea of Italy

Feminine beauty has been more associated with national cultural identity in Italy than in any other country. From the time of Dante and Petrarch, ideals of beauty have informed artists’ work. This intriguing and gloriously illustrated book investigates the many debates this topic has provoked in modern Italy.

Radicals and monarchists, Catholics, Fascists, and Communists have all championed specific ideas about female beauty. First theater and the press, then, later, cinema and television inherited from literature and art the task of articulating ideals. Gundle examines Fascism's failure to mold the ideal modern Italian woman, the rise of beauty pageants after World War Two, the professional and public roles of television actresses, the election of the first non-white Miss Italy in 1996, and the careers and images of beautiful women who have been seen to embody the country—Queen Margherita of Savoy, the opera singer Lina Cavalieri, and movie icons Gina Lollobrigida, Claudia Cardinale, Monica Bellucci, and Sophia Loren, who remains the living symbol of Italy and one of the most beautiful women in the world.

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• The Fantasy of Feminist History (Next Wave Provocations)
• Gender and Justice: Violence, Intimacy, and Community in Fin-de-Siècle Paris (The Johns Hopkins University Studies in Historical and Political Science)
• Disruptive Acts: The New Woman in Fin-de-Siecle France
• City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (Women in Culture and Society)
• The Lettered City (Latin America in Translation)
• The World Upside Down: Cross-Cultural Contact and Conflict in Sixteenth-Century Peru
• King's Living Image (New World in the Atlantic World)
• Genealogical Fictions: Limpieza de Sangre, Religion, and Gender in Colonial Mexico