Like Cody before them, the Millers took their cues from the frontier, largely because they played a significant part in its conquest. The family's rambunctious Kentuckian patriarch, George Washington Miller, abandoned the bluegrass of his home state to raise cattle on the greener pastures of the plains. His sons followed suit, but in 1905, a rodeo at the 101, their 100,000-acre-plus Oklahoma ranch, for the National Editorial Association led to a new career in popular entertainment. Within a decade, film producer Thomas Ince had set up shop nearby, utilizing talent from the 101 for his westerns. (It was Ince's mysterious death, combined with revelations of financial chicanery, that ultimately destroyed the enterprise in the 1920s.)
Wallis doesn't sugarcoat accusations of murder and illegal financial maneuverings on the part of the Millers, instead making interesting parallels between their ruthlessness and business acumen and the romantic vision of the West they presented to early-20th-century audiences. His account is also notable for its numerous biographies of 101 performers--people like Princess Wenona, the Native American rival to Annie Oakley, and Bill Pickett, an African American cowhand who founded most of the events on the professional rodeo circuit--and conveys the enthusiasm many must have felt during the Wild West shows' heyday. --John M. Anderson