Principles of the Flute, Recorder and Oboe (Principes De La Flute) (Dover Books on Music)

The finest flutist of his time and honored "Flûte de la Chambre du Roi" at the court of Louis XIV, Jacques-Martin Hotteterre (c. 1680–1760) wrote this instruction book for the transverse flute, recorder, and oboe. This treatise (originally titled Principes de la Flûte) was an important force in the competition between the flute and recorder and hastened the virtual extinction of the recorder as either an ensemble or solo instrument.
The Principes has considerable practical use today, as well as being a treatise of central importance in the historical development of the flute. Most important, it contains an extensive discussion of principal ornaments and embellishments of the period (appoggiaturas, springers, terminated trills, vibrati, and mordents) and their proper and tasteful use. This information will be valuable to modern wind players of all kinds, instrumentalists in general, and musicologists. The long section treating the technique of the 7-hole transverse flute — an ancestor of the modern instrument — also has some modern applicability. While the 7-hole flute is far more primitive, it does have important elements in common with the modern instrument. The section on the recorder (an instrument which has not undergone change since the Principes was written) is an important period instruction book, as valuable to recorder players of today as it was to their counterparts in the eighteenth century.
Curiously, in spite of its historical and practical interest, Hotteterre's treatise has not previously been available to the English-speaking world. Paul Marshall Douglas of the University of British Columbia has provided the first modern English-language translation in this edition. He has also included an introduction giving the known facts of Hotteterre's life, describing the eighteenth-century contest between flute and recorder, and noting the common usage of wind instruments at the time.

• On Playing the Flute
• On Playing the Flute
• Method for the One-Keyed Flute
• The Notation Is Not the Music: Reflections on Early Music Practice and Performance (Publications of the Early Music Institute)
• The End of Early Music: A Period Performer's History of Music for the Twenty-First Century
• Essay on the True Art of Playing Keyboard Instruments
• The Interpretation of Early Music (Revised Edition)
• Ornamentation: A Question & Answer Manual
• Georg Muffat on Performance Practice: The Texts from Florilegium Primum, Florilegium Secundum, and Auserlesene Instrumentalmusik--A New Translation ... (Publications of the Early Music Institute)
• How Equal Temperament Ruined Harmony (and Why You Should Care)