“Most of us have only one story to tell,” says Paul. “I don’t mean that only one thing happens to us in our lives: there are countless events, which we turn into countless stories. But there’s only one that matters, only one finally worth telling. This is mine.” It begins more than fifty years ago, in the kind of London suburb where stockbrokers play cricket on the Village Green on Saturdays. When a new delicatessen opens, residents view it as “subversive in its offerings of European goods.”
Paul meets Susan at the local tennis club, and at first their 30-year age difference doesn’t seem to matter. “In terms of – what shall I call it? The age of her spirit, perhaps – we aren’t that far apart.” As time darkens the lovers’ initial exuberance, Paul’s narration, which began with the immediacy of the first person voice, shifts, heartbreakingly, to the second, and ultimately, when he feels “rebuked by life,” to the third. Though readers will marvel at the sophistication of this and other novelistic strategies Barnes employs, their end result is that though we might wish The Only Story had a sweeter ending, the one Barnes gives us feels deeply true: bitter, yes, but satisfying, too. —Sarah Harrison Smith, Amazon Book Review