The thing about a tragedy is that its heroine isn't a victim--she's responsible for her fate. Leaming does scholarly spadework, digging up hard facts from sources like UCLA's 20th Century Fox collection and the diary-like first drafts of Arthur Miller's semiautobiographical work, and she makes sense of Monroe's motives. She even apparently solves Monroe's suicide with clues from the star's psychiatrist's letters in the Anna Freud collection. Her last overdose may have happened just because her shrink went to dinner with his wife and she felt abandoned.
But until pills killed her, Monroe wasn't a candle in the wind. She burned with ambition and knew how to craft a persona and play power games--with moguls and with the commie-busters hounding her husband Miller. Leaming plausibly analyzes the Miller-Monroe-Elia Kazan love/hate triangle, sizes up the Kennedy connection, busts her acting coach Lee Strasberg as "chillingly mercenary," and deftly shows just how her life entangled her art, film by film.
This book has a woman's touch: it's a work of sharp intellect and emotional insight unclouded by lust or star worship. --Tim Appelo