Abu Musa’s Women Neighbors is an unforgettable book. Just as Abu Musa, its silent protagonist, steps out of the story in the last paragraph only to live on, in the physical site of his burial as in the spiritual life of the city, Toufiq’s moving text is animated by the echo of lives and events that live on, as if narrated from the perspective of another world. Sidi Musa’s sanctuary stands today overlooking the ocean, a site of healing in the midst of a poor urban sprawl; the retelling of this 14th Century tale spills out into the present, summons us.
Ahmed Toufiq’s first literary work (followed by three more, in Arabic), Abu Musa’s Women Neighbors reinvents the genre of hagiographic and mystical tales in the contemporary form of an Arabic novel. At the threshold of history and fiction (the author is also a historian), it pushes the limits of both, towards an artistic creation which is at once a vivid restitution of life, and a journey into the intricacies of the human soul, the passions and abuses of power and government, the enigma of destiny. As we follow the vicissitudes of Shamah, her unfolding life and fate within the fate of the Moroccan city of Salé, its people and rulers, its fortunes and ruin, its losses, we encounter the inspiration, the tones, and the style of traditional storytelling, a poetic, religious and historical tradition that eludes assimilation into Euro-American terms. Yet, unlike other contemporary reinvestments of vernacular and mystical themes in Maghribi literature, this text is not addressed to a European or a nostalgic gaze. Ahmed Toufiq writes for his fellow citizens, his “neighborsâ€. And yet his way of telling the story, and his exploration of the turns of history and the meanders of the human soul, make this work accessible and involving for an international public. Thanks to this artful translation, American readers have now access to this passionate tale, a beautiful invitation to Arabic literature and Islamic culture.
—Stefania Pandolfo, University of California, Berkeley