Journalism Versus Art (Classic Reprint)

The Masses staff, including those who have withdrawn and those who are to come. I do so in the mood of a grateful if somewhat obstreperous pupil. In the autumn of 1912 when our group happened together and decided to bring out a magazine which should publish art and literature without any canons of good journalism, I was exceedingly rustic in the appreciation of art. And my rusticity was considerably enhanced by a thorough knowledge of the science of aesthetics. I had just come down from the oracle on Morningside Heights, where I had conducted, the previous winter, a course in the graduate school on the philosophy and psychology of beauty.
(Typographical errors above are due to OCR software and don't occur in the book.)

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