"Lilith is equal if not superior to the best of Poe," the great 20th-century poet W. H. Auden said of this novel, but the comparison only begins to touch on the richness, density, and wonder of this late 19th-century adult fantasy novel. First published in 1895 (inhabiting a universe with the early Yeats, George Bernard Shaw, and Oscar Wilde--not to mention Thomas Hardy), this is the story of the aptly named Mr. Vane, his magical house, and the journeys into another world into which it leads him.
Meeting up with one mystery after another, including Adam and Eve themselves, he slowly but surely explores the mystery of the human fall from grace, and of our redemption. Instructed into the ways of seeing the deeper realities of this world--seeing, in a sense, by the light of the spirit--the reader and Mr. Vane both sense that MacDonald writes from his own deep experience of radiance, from a bliss so profound that death's darkness itself is utterly eclipsed in its light.
James Blish ranked Lilith as "one of the great originals," saying that its "allegory is far from obtrusive, and the story proper both tense and decidedly eerie." Bleiler described it as "a long parabolic narrative heavily laden with Victorian Christian symbolism" and noted that critical opinion of the novel was sharply divided: "Some critics regard it highly for its fine images and verbal flashes.”
Lilith, written by the father of fantasy literature, George MacDonald, is considered among the darkest of MacDonald's works, and among the most profound. It is a story concerning the nature of life, death and salvation. Many believe MacDonald is arguing for Christian universalism, or the idea that all will eventually be saved.