The World Is a Heartbreaker inaugurates a new subgenre: imposter poetry. This collection is a set of 1600 pseudohaikus, bite-sized chunks of poetic goodness shotgunned at the distracted masses.
What’s a pseudohaiku? It’s the poetry of pure indulgence, a three-liner without the constraint, the pretension or the 5–7–5 syllable form. The subject matter? Relationships, cats, insecurities – themes recur and build into a kind of non-linear narrative.
These micropoems are easily digestible yet remarkably acute, a catalogue of scattered thoughts and pointed observations that go down like potato chips – betcha can’t read just one.
Sometimes sexy, sometimes scandalous, sometimes sentimental, but always three lines long, these pseudohaikus are the future of poetry in a world awash with sound bites, news clips, catchphrases. There are no pleasures like the guilty ones.