They are: · connection to self · connection to others · connection to circumstances · connection to text · connection to character · connection to audience
Each spoke is discussed in detail with new examinations of personalization, objectives, strategies, transitions, character, and that taboo subject, the audience. But though each spoke is looked at separately, the wisdom of the book lies in the knowledge that the wheel must be set in motion-that is when the spokes disappear, as they must in all great acting.Brestoff illustrates his points with brilliantly chosen examples from films and plays and with insights from Robert Lewis, Elia Kazan, Evgeny Vakhtangov, T.S. Eliot, Kevin Kline, and even Lance Armstrong and Sir Isaac Newton! Fresh and wise, this book is a must for actors and teachers alike.This book shows the actor how to put it all together, from connection between the actors, through circumstance, text, and character into the soul of an audience.