The Bhagavad Gita is one of the most famous works of Hindu scripture. Among faithful Hindus it is ranked in importance alongside the Vedas and the Upanishads as a key sacred text. The work has been widely translated, with the result that its fame extends well beyond India.
Considering the popularity of this historical epic and the reverent feelings toward it, intellectuals in India have been reluctant to examine the text from a critical standpoint, as scholars in the West have done in regard to the sacred texts of Christianity and Judaism. A glaring exception to this kid-gloves attitude is this iconoclastic examination of the Gita, by journalist and humanist advocate V. R. Narla.
Taking a rationalist, skeptical approach, Narla critiques the Gita on many levels. Among other things, he points out the improbability of the historical events recounted, the logical inconsistencies in the work, and, above all, the retrograde moral perspective represented by the characters. He emphasizes that the long dialogue between the warrior Arjuna and Lord Krishna (an incarnation of the god Vishnu) ends up by condoning violence, even wholesale slaughter. Furthermore, the work extols the Hindu caste system as noble and reinforces superstitions about reincarnation and karma. All of this was anathema to Narla, who spent much of his career working for human rights and critical thinking.
For students of Indian literature in both the East and West, this critical appraisal of a classic Hindu epic will prove enlightening.