Convincingly laying bare the complexity in respect of the pan-Indian images of Hayagrîva, it makes clear that there is no single unilinear history of this deity. It subsequently reconstructs the ‘Úrînivaiṣṇava History’ of Hayagrîva, and brings out the selectivity involved in borrowing materials from the pan-Indian and local levels.
Amidst the incredible complexity encountered here, this study exposes, however, that the emblems and functions of different images show continuity, although a godÂ’s status may change according to the sect.