This massive novel originally was serialized in the Yiddish-language Jewish Daily Forward in 1957. Now it has finally been translated into English--in a capable version by Joseph Sherman--and Singer fans should be very grateful. Center stage is occupied by Boris Makaver, a master builder equally devoted to I-beams and the Talmud, and Anna, his much-married daughter. Fanning out from this duo, however, is a small universe of refugees, all of them served up with Singer's customary brio. (Here's a comical snapshot of a shyster named Hertz Grein: "His nose had a Jewish hook, but then had second thoughts and straightened itself out. His lips were thin, and his blue eyes revealed a curious mixture of bashfulness, sharpness, and something else that was hard to define. Margolin used to say that he looked like a Yeshiva boy from Scandinavia.") As the subplots pile up in an unruly heap, the novel sometimes reveals its installment-plan origins. Still, Singer puts his large cast through some wonderful paces, and the endless talk--for these are characters who truly come alive through the medium of rapid, contentious, Yiddish-accented conversation--allows the author to speculate about destiny, identity, and freedom without slowing his story a whit. As Singer said more than once, "Of course I believe in free will. Do we have a choice?"
Release of fibrous glass fibers into the airstream from insulated air conditioning ductwork and its potential health hazards (Technical publication / ... University, Dept. of Construction Management)
📄 Viewing lite version
Full site ›
Price not listed
🛒 Buy New on Amazon 🇺🇸
Book Details
Author(s)Julio Otazo
PublisherDept. of Construction Management, College of Engineering and Design, Florida International Universit
ISBN / ASINB0006DJBMY
ISBN-13978B0006DJBM4
Sales Rank99,999,999
MarketplaceUnited States 🇺🇸
Description ▲
Although Isaac Bashevis Singer emigrated from Poland to the United States in 1935, the circumscribed world of the Polish Jews remained at the heart of his imagination. Beginning with his first major work, Satan in Goray (1935), he used the life of the shtetl as raw material, transforming its folkways, religious practices, superstitions, and sexual habits into superior works of art. From time to time, however, Singer turned his eye upon New World Jews like himself, recording their rapid or reluctant assimilation into the American mainstream. One such book is Shadows on the Hudson.