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THE DOORS OF PERCEPTION (Illustrated): THE MARRIAGE OF HEAVEN AND HELL (Illustrations)

Author Aldous Huxley
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Book Details
Author(s)Aldous Huxley
ISBN / ASINB01H9GE4ZO
ISBN-13978B01H9GE4Z8
Sales Rank343,514
MarketplaceUnited States 🇺🇸

Description

HOW THIS EBOOK IS UNIQUE?
1. FORMATTED FOR E-READER
2. BIOGRAPHICAL NOTE INCLUDED
Brave New World novelist Aldous Huxley was diagnosed with cancer in 1960, at which point his health slowly began to deteriorate. On his deathbed in November of 1963, just as he was passing away, Aldous — a man who for many years had been fascinated with the effects of psychedelic drugs since being introduced to mescaline in 1953 — asked his wife Laura to administer him with LSD. She agreed.

The following letter — an incredibly moving, detailed account of Aldous's last days — was written by Laura just days after her husband's death and sent to his older brother Julian.

3 ILLUSTRATIONS AND TEXT BY WILLIAM BLAKE: THE MARRIAGE OF HEAVEN AND HELL

The Doors of Perception is a philosophical essay, released as a book, by Aldous Huxley. First published in 1954, it details his experiences when taking mescaline. The book takes the form of Huxley's recollection of a mescaline trip that took place over the course of an afternoon in May 1953. The book takes its title from a phrase in William Blake's 1793 poem The Marriage of Heaven and Hell. Huxley recalls the insights he experienced, which range from the "purely aesthetic" to "sacramental vision". He also incorporates later reflections on the experience and its meaning for art and religion.

The Marriage of Heaven and Hell is a book by the English poet and printmaker William Blake. It is a series of texts written in imitation of biblical prophecy but expressing Blake's own intensely personal Romantic and revolutionary beliefs. Like his other books, it was published as printed sheets from etched plates containing prose, poetry and illustrations. The plates were then coloured by Blake and his wife Catherine.
The work was composed between 1790 and 1793, in the period of radical ferment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell, published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake in several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral strictures and his Manichaean view of good and evil led Blake to express a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are equally part of the divine order; hence, a marriage of heaven and hell. The book is written in prose, except for the opening "Argument" and the "Song of Liberty". The book describes the poet's visit to Hell, a device adopted by Blake from Dante's Divine Comedy and Milton's Paradise Lost.