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WALLFLOWER PRESS
Books by Publisher: WALLFLOWER PRESS
304 books
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Eastwood's Iwo Jima: Critical Engagements with Flags of Our Fathers and Letters from Iwo Jima
25.56
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The Cinema of Alexander Sokurov: Figures of Paradox (Directors' Cuts)
Jeremi Szaniawski
18.80
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Animating the Unconscious: Desire, Sexuality, and Animation
21.00
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The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape (Directors' Cuts (Hardcover))
Andrew deWaard, R. Colin Tait
62.01
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The Heist Film: Stealing with Style (Short Cuts)
Daryl Lee
20.00
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New Korean Cinema: Breaking the Waves (Short Cuts (Wallflower))
Darcy Paquet
18.98
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Melodrama: Genre, Style, and Sensibility (Short Cuts)
John Mercer, Martin Shingler
18.00
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The Cinema of Christopher Nolan: Imagining the Impossible (Directors' Cuts)
29.98
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Fantasy Cinema: Impossible Worlds on Screen (Short Cuts (Wallflower))
David Butler
20.00
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Early Cinema: From Factory Gate to Dream Factory (Short Cuts)
Simon Popple, Joe Kember
15.13
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Flickering Empire: How Chicago Invented the U.S. Film Industry
Michael Glover Smith, Adam Selzer
11.42
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Dekalog 4: On East Asian Filmmakers
14.62
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The Cinema of Scandinavia (24 Frames)
10.57
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The Unsilvered Screen: Surrealism on Film
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The Cinema of Ang Lee: The Other Side of the Screen (Directors' Cuts)
Whitney Crothers Dilley
28.19
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The Cinema of David Lynch : American Dreams, Nightmare Visions (Directors' Cuts)
18.00
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Visions of the Apocalypse: Spectacles of Destruction in American Cinema
Wheeler Winston Dixon
6.50
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Film Theory: Creating a Cinematic Grammar (Short Cuts)
Felicity Colman
19.24
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Film Violence: History, Ideology, Genre (Short Cuts)
Jim Kendrick
14.89
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Cinema of Steven Spielberg: Empire of Light (Directors' Cuts)
Nigel Morris
2412
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The Cinema of Steven Spielberg: Empire of Light (Directors' Cuts)
Nigel Morris
20.99
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Millennial Cinema: Memory in Global Film
25.00
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Cinema in the Digital Age
Nicholas Rombes
22.44
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Kung Fu Cult Masters
Leon Hunt
24.00
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The Personal Camera: Subjective Cinema and the Essay Film (Nonfictions)
Laura Rascaroli
24.63
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Cinema Before Cinema: The Origins of Scientific Cinematography
Virgilio Tosi
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At the End of the Street in the Shadow: Orson Welles and the City
Matthew Asprey Gear
90.00
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Film Programming: Curating for Cinemas, Festivals, Archives (Short Cuts)
Peter Bosma
22.00
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Latin Hitchcock: How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious
Dona Kercher
25.94
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Fast Forward: The Future(s) of the Cinematic Arts
Holly Willis
30.00
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Soundscape
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The Gangster Film: Fatal Success in American Cinema (Short Cuts)
Ron Wilson
13.03
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