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That's the gripping premise of Chuck Hogan's The Blood Artists. Doctors Stephen Pearse and Peter Maryk, working for the Bureau of Disease Control (the much tougher, FBI-like successor to the Center for Disease Control), track a killer virus out of Africa that makes Ebola look like a slight case of indigestion. This nasty bug seems to have both intelligence and an agenda, and when it acquires a human host it might just be too much for the world to handle. As he did in his first thriller, The Standoff, Hogan humanizes complicated concepts and creates characters with lots of energy.