The European Avant-garde: 1900-1940 (PCHL-Polity Cultural History of Literature)
Book Details
Author(s)Andrew J. Webber
PublisherPolity
ISBN / ASIN0745627056
ISBN-139780745627052
AvailabilityUsually ships in 24 hours
MarketplaceUnited States 🇺🇸
Description
This book offers an informative and accessible cultural history of the European avant-garde in its early twentieth-century heyday. It provides comparative coverage of cultural experimentation across the major European languages, including English, French, German, Russian, Spanish and Italian.
Andrew Webber presents striking examples to illustrate a time of unprecedented experiment and energetic performance in all aspects of culture. Readings of some of the most important and characteristic avant-garde texts, pictures and films are set against some of the key developments of the period: advances in technology and psychology; the rise of radical politics; the cultural ferment of the modern metropolis; and the upheaval in issues of gender and sexuality. The author's mediation between a variety of cultural forms, combining political and psychoanalytical modes of understanding, evokes the richness of the age in a manner that students will find both illuminating and provocative.
This volume will be an excellent textbook for courses on the avant-garde in departments of comparative cultural studies, literature and film studies.
Andrew Webber presents striking examples to illustrate a time of unprecedented experiment and energetic performance in all aspects of culture. Readings of some of the most important and characteristic avant-garde texts, pictures and films are set against some of the key developments of the period: advances in technology and psychology; the rise of radical politics; the cultural ferment of the modern metropolis; and the upheaval in issues of gender and sexuality. The author's mediation between a variety of cultural forms, combining political and psychoanalytical modes of understanding, evokes the richness of the age in a manner that students will find both illuminating and provocative.
This volume will be an excellent textbook for courses on the avant-garde in departments of comparative cultural studies, literature and film studies.

