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Jean-Claude Kaufmann's sympathetic study of the lives, aspirations and sometimes despair of the 'new single women' is based mainly on an analysis of a sample of the hundreds of letters sent to Marie-Claire magazine after it published a first-hand account of the single life. Funny, touching and at times profoundly sad, the letters paint a collective portrait of the single woman and her life that is both intimate and socially significant. Kaufmann concludes by situating their stories in a broad comparative context and considering the possible impact of novel phenomena such as the recent vogue for 'mail-order brides'.