Regarded as China's finest contemporary poet, Gu Cheng (1956-1993) has captivated readers worldwide.
While critics were calling him the harbinger of a troubled and new Obscure movement, the generation that came of age during the Cultural Revolution was taking his poems to heart. Nameless Flowers traces Gu Cheng's work from the lurid early lyrics that made him a literary star to the late expressions of dark beauty that predicted his second exile and tragic death. Though rooted in classical Chinese poetry, Gu Cheng's poems show traces of Western influences as diverse as Walt Whitman, Federico Garcia Lorca, and entomologist Jean Henri Fabre. His poems embrace animate and inanimate beings from the vast Chinese masses and Mongolian plains to minuscule insects and pebbles. It is this simultaneous vision of the little man and the faceless mass that has made Gu Cheng one of China's most fervently loved poets.