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Agustin Gurza explores the Frontera Collection, discussing genre, themes, and some of the thousands of performers whose recordings are archived. He considers the cultural significance of the recordings, notably what the lyrics reveal about relationships between not only Anglos and Mexicans but also Mexican nationals and other immigrant and ethnic groups. Jonathan Clark focuses on recordings by mariachi ensembles. Topical lists of recordings and a guide to the collection with suggestions for searching the online files complete the volume.