The devil to pay: or, the wives metamorphos'd. An opera. As it is perform'd at the Theatre Royal in Drury-Lane, by His Majesty's servants. With a table of the songs.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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British Library

T031755

Abridged by Theophilus Cibber from Charles Coffey's three act play of the same title, adapted, with help from John Mottley, from Thomas Jevon's 'The devil of a wife'.

London : printed by Ed. Cook, 1736. 36p. : ill. ; 12°