The Temptation of Paul Hindemith: Mathis Der Maler As a Spiritual Testimony

This ground-breaking interdisciplinary study of Paul Hindemith's important opera Mathis der Maler draws together the three major sources that inspired the composition. Siglind Bruhn shows that only a recognition of the significant parallel in the lives of the composer, the Renaissance painter Gr newald on whom the operatic Mathis is modeled, and the main character depicted in Gr newald's masterpiece, Saint Antony, will open the doors to a full understanding of the composer's musical testimony. Bruhn begins by exploring the significance of the historical Antony within the spiritual and artistic traditions. Based on the interpretations of art historians and theologians, she then presents a fascinating reading of Gr newald's Isenheim Altarpiece and its singular importance for the opera. Turning to the opera itself, she examines the libretto as a symbolic representation of the dilemma in the lives of Gr newald and Hindemith and, finally and prominently, she interprets the music against the background of the spiritual plight that drives the plot.