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The cross was indisputably of English origin and, on the evidence of the detail of carving, dating from the twelfth century. With meticulous attention to relevant detail, Bloomfield-Smith recounts the story of the design and carving of the cross, and from the few clues left by the passage of time, how it came to be lost for eight centuries. Using his research he refutes utterly the allegations of anti-Semitism and argues that medieval art cannot be assessed against the twenty-first century environment.