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B. W. Robinson relates the history of the Shahnama's composition, and describes the Windsor manuscript and the circumstances under which it came to Britain. He also provides a lively summary of the narrative to accompany black-and-white illustrations of every painting. Over 50 of these are also shown in full-color plates. Eleanor Sims discusses in detail the likely attribution of the paintings in the Windsor volume, and compares other seventeenth-century Shahnama manuscripts; she also examines the wider cultural milieu reflected in the paintings.