Geography as melody in Muttusvami Dikshita's Indian musical works *.: An article from: The Geographical Review
Book Details
PublisherAmerican Geographical Society
ISBN / ASINB0008IPZ54
ISBN-13978B0008IPZ53
MarketplaceFrance 🇫🇷
Description
This digital document is an article from The Geographical Review, published by American Geographical Society on October 1, 2001. The length of the article is 5367 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
From the author: The life and works of Muttusvami Dikshita (1775-1834), a luminary of South Indian Karnatak classical music, abound in spatiocultural symbolisms of integration and harmony. Dikshita's peregrinations symbolize a cultural circuit of Hindu pilgrimage. His studies of North Indian Hindustani music at Varanasi (formerly Benares), and his transplantation of them throughout South India, make him an active agent of cultural diffusion, harmonizing cultural traditions through spatiosymbolic anchors. The religious expression of his musical genius, his songs, and his melodies contributed to linking linguistically and politically disparate regions of eighteenth- and nineteenth-century India. The works of Dikshita affirm India's cultural continuity and underscore its enduring cultural empathies and similarities. Keywords: cultural diffusion, Muttusvami Dikshita, India, music.
Citation Details
Title: Geography as melody in Muttusvami Dikshita's Indian musical works *.
Author: Chandra S. Balachandran
Publication:The Geographical Review (Refereed)
Date: October 1, 2001
Publisher: American Geographical Society
Volume: 91 Issue: 4 Page: 690(12)
Distributed by Thomson Gale
From the author: The life and works of Muttusvami Dikshita (1775-1834), a luminary of South Indian Karnatak classical music, abound in spatiocultural symbolisms of integration and harmony. Dikshita's peregrinations symbolize a cultural circuit of Hindu pilgrimage. His studies of North Indian Hindustani music at Varanasi (formerly Benares), and his transplantation of them throughout South India, make him an active agent of cultural diffusion, harmonizing cultural traditions through spatiosymbolic anchors. The religious expression of his musical genius, his songs, and his melodies contributed to linking linguistically and politically disparate regions of eighteenth- and nineteenth-century India. The works of Dikshita affirm India's cultural continuity and underscore its enduring cultural empathies and similarities. Keywords: cultural diffusion, Muttusvami Dikshita, India, music.
Citation Details
Title: Geography as melody in Muttusvami Dikshita's Indian musical works *.
Author: Chandra S. Balachandran
Publication:The Geographical Review (Refereed)
Date: October 1, 2001
Publisher: American Geographical Society
Volume: 91 Issue: 4 Page: 690(12)
Distributed by Thomson Gale
