The monster come to dinner.: An article from: The Review of Contemporary Fiction
Book Details
Author(s)Gilbert Sorrentino
PublisherReview of Contemporary Fiction
ISBN / ASINB00093TI2Y
ISBN-13978B00093TI26
MarketplaceFrance 🇫🇷
Description
This digital document is an article from The Review of Contemporary Fiction, published by Review of Contemporary Fiction on September 22, 1995. The length of the article is 1385 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
From the supplier: The form and meaning of a literary work depends on what the writer does with the given material. Robert Creeley's narrative form in 'The Gold Diggers, and Other Stories' is fragmented, its syntax blurred and its desperate tone understated. In 'Mabel: A Story,' the simple language is devoid of nuances that would indicate multiplicity of meanings. There is no room for irony for it is too serious. Yet the way the writer dealt with his materials created such a dense surface that the terror and cruelty in the created world is seen through an almost undecipherable opacity just as terror and cruelty is seen in the real world.
Citation Details
Title: The monster come to dinner.
Author: Gilbert Sorrentino
Publication:The Review of Contemporary Fiction (Refereed)
Date: September 22, 1995
Publisher: Review of Contemporary Fiction
Volume: v15 Issue: n3 Page: p107(3)
Distributed by Thomson Gale
From the supplier: The form and meaning of a literary work depends on what the writer does with the given material. Robert Creeley's narrative form in 'The Gold Diggers, and Other Stories' is fragmented, its syntax blurred and its desperate tone understated. In 'Mabel: A Story,' the simple language is devoid of nuances that would indicate multiplicity of meanings. There is no room for irony for it is too serious. Yet the way the writer dealt with his materials created such a dense surface that the terror and cruelty in the created world is seen through an almost undecipherable opacity just as terror and cruelty is seen in the real world.
Citation Details
Title: The monster come to dinner.
Author: Gilbert Sorrentino
Publication:The Review of Contemporary Fiction (Refereed)
Date: September 22, 1995
Publisher: Review of Contemporary Fiction
Volume: v15 Issue: n3 Page: p107(3)
Distributed by Thomson Gale










