Critical analysis of racist post-9/11 web animations.: An article from: Journal of Broadcasting & Electronic Media
Book Details
Author(s)Cassandra van Buren
PublisherThomson Gale
ISBN / ASINB000MX6RO8
ISBN-13978B000MX6RO4
AvailabilityAvailable for download now
MarketplaceUnited States 🇺🇸
Description
This digital document is an article from Journal of Broadcasting & Electronic Media, published by Thomson Gale on September 1, 2006. The length of the article is 9050 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.
From the author: This study employs a critical historical approach to situate a corpus of 106 post-9/11 anti-Arab Web cartoons as populist wartime narrative that remediates U.S. racist animation and racist wartime cartoons produced during World War II. Analysis of the production, distribution, and exhibition circumstances, as well as general narrative strategies deployed in the animations, demonstrates that these amateur texts resurrect and reproduce racist narrative strategies employed historically in professionally produced government-sanctioned animation. These cartoons illustrate how animators can use the Web as a folk venue for racist wartime animations that are currently unrepresentable by dominant mass media.
Citation Details
Title: Critical analysis of racist post-9/11 web animations.
Author: Cassandra van Buren
Publication:Journal of Broadcasting & Electronic Media (Magazine/Journal)
Date: September 1, 2006
Publisher: Thomson Gale
Volume: 50 Issue: 3 Page: 537(18)
Distributed by Thomson Gale
From the author: This study employs a critical historical approach to situate a corpus of 106 post-9/11 anti-Arab Web cartoons as populist wartime narrative that remediates U.S. racist animation and racist wartime cartoons produced during World War II. Analysis of the production, distribution, and exhibition circumstances, as well as general narrative strategies deployed in the animations, demonstrates that these amateur texts resurrect and reproduce racist narrative strategies employed historically in professionally produced government-sanctioned animation. These cartoons illustrate how animators can use the Web as a folk venue for racist wartime animations that are currently unrepresentable by dominant mass media.
Citation Details
Title: Critical analysis of racist post-9/11 web animations.
Author: Cassandra van Buren
Publication:Journal of Broadcasting & Electronic Media (Magazine/Journal)
Date: September 1, 2006
Publisher: Thomson Gale
Volume: 50 Issue: 3 Page: 537(18)
Distributed by Thomson Gale
