The Artist Magazine July/August 2011

Highlights Exclusive: 9 NeedtoKnow Principles of Design 5 Plein Air Palettes How to Plan a StandOut Still Life Versatile Acrylic: 5 Masters Share Tips Make Art Pay: Expert Marketer Reveals a Strategy for Success Features Visceral Vision Stone reveals its ancient spirit in Gregory Strachov's carefully composed landscapes in watercolor. By Louise B. Hafesh Layer upon Layer Shimmering or matte, splashy or meticulouseffects are as varied as artists Sherry Loehr, Pat Stanley, Rick Pas, Mark Bratovich and Donna Watson, who delight in acrylic's versatility. Edited by Maureen Bloomfield River Plains Lisa Grossman sets up her easel on the banks of the Kansas River to catch the smoky light of dusk and dawn. By Judith Fairly Trash Transformed Robert K. Carsten meanders around recycling plants to find the subjects of his lustrous still lifes in pastel. By Maureen Bloomfield Art Illustrating Art To deepen your understanding of value, color, rhythm, balance and other elements and principles of design, study this visual guide. By Jonathan Linton Columns and Departments Letters CloseUp Spritzing the surface with alcohol moves acrylic around. By Pat Stanley The Artist's Life Notable cartoonist Morris Weiss conveyed to his son more than drawing skills; the winner of our All Media Art Competition recalls his father; and more. Edited by Cherie Haas Exhibitions Summer is the time to go aroving. Don't miss these shows. Edited by Cherie Haas Brushing Up Planning on painting en plein air? Pick the right palette before you pack your umbrella. By Michael Chesley Johnson Color Corner Learn how to mix gorgeous greens in watercolor. By Birgit O'Connor Drawing Board The secret of a successful still life: Start with a strong concept. By Steven Levin Master Class A sketch en plein air by John Singer Sargent testifies to his immense gift. By Jerry N. Weiss Ask the Experts