A Handbook of Examinations in Music Containing 600 Questions, With Answers, in Theory, Harmony, Counterpoint, Form, Fugue, Acoustics, Musical History, ... Papers As Set By Various Examining Buy on Amazon

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A Handbook of Examinations in Music Containing 600 Questions, With Answers, in Theory, Harmony, Counterpoint, Form, Fugue, Acoustics, Musical History, ... Papers As Set By Various Examining

Book Details

ISBN / ASINB008BX4SYW
ISBN-13978B008BX4SY2
MarketplaceUnited Kingdom  🇬🇧

Description

Handbook for candidates who are preparing for the various Local Examinations in musical knowledge, which are periodically held throughout the country. But it was afterwards felt that its scope might, with advantage, be somewhat extended, and the author hopes that this Manual will not only be found to fulfil its first intention, but that it will also be useful as a book of reference for students who are preparing for the higher grades of Diploma and Degree Examinations. The advanced questions Section viii., Part I. will show the class of question which Examiners usually set for these higher distinctions, and theM iscellaneous Papers given in Part III. will illustrate the differences between theE xamination Schemes of each University andE xamining Body. The author tenders his most sincere thanks to theD elegates of the Clarendon Press, Oxford; to theS yndics of the University Press, and theL ocal Examinations and Lectures Syndicate, Cambridge; to Arthur Milman, Esq., M.A., Eegistrar of London University; toD r. Philip A rmes, M.A., Professor of Music in the University of Durham ;to Dr. Mahaffy, of Dublin University ;to C. E. Hodgson, Esq., B.A., Secretary of the College of Preceptors ;to the Committee of Management of the Royal Academy of Music; to the late George Watson, Esq., Hon. Secretary andR egistrar of the Royal College of Music ;to S. A itken, Esq., Hon. Secretary to the Associated Board of the Royal Academy of Music and the Royal College of Music ;to the Councils of the Royal College ofO rganists and Trinity College London ;to the General Council of the Incorporated Society of Musicians, and to theS ecretary of theE ducation Department for so kindly and readily granting permission to print theE xamination Papers contained in Part III. of this work. E. A. D.
(Typographical errors above are due to OCR software and don't occur in the book.)

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