The Expositor's Bible: The Gospel Of St. Luke

It is true the Evangelist does not here inscribe his name; it is true that after inserting these lines of explanation, he loses sight of himself completely, with a "sublime repressing of himself" such as John did not know; but that he here throws the shadow of himself upon the page of Scripture, calling the attention of all people and ages to the "me also," shows clearly that the personal element cannot be eliminated from the question of inspiration. Light is the same in its nature; it moves only in straight lines; it is governed by fixed laws; but in its reflections it is infinitely varied, turning to purple, blue, or gold, according to the nature of the medium and reflecting substance. And what, indeed, is beauty, what the harmony of colours, but the visible music as the same light plays upon the diverse keys? Exactly the same law rules in inspiration. As the Divine Love needed an incarnation, an enshrining in human flesh, that the Divine Word might be vocal, so the Divine Light needs its incarnation too. Indeed, we can scarcely conceive of any revelation of the Divine Mind but as coming through a human mind. It needs the human element to analyze and to throw it forward, just as the electric spark needs the dull carbon-point to make it visible. Heaven and earth are here, as elsewhere, "threads of the same loom," and if we take out one, even the earthly woof of the humanities, we leave[3] only a tangle; and if it is true of works of art that "to know them we must know the man who produced them," it is equally important, if we would know the Scripture, that we have some knowledge of the scribe. And especially important is it here, for there are few books of Scripture on which the writer's own personality is more deeply impressed than on the Gospel of St. Luke. The "me also" is only legible in the third verse, but we may read it, between the lines, through the whole Gospel.

Concerning the life of St. Luke the facts are few. It has been thought by some that he was one of the "certain Greeks" who came to Jerusalem to worship; while others, again, suppose him to be the nameless one of the two Emmaus travellers. But both these suppositions are set aside by the fact that the Evangelist carefully separates himself from those who were "eye-witnesses," which he could not well have done had he taken part in those closing scenes of the Lord's life, or had he been honoured with that "infallible proof" of the Lord's resurrection. That he was a Gentile is evident; his speech bewrayeth him; for he speaks with a Grecian accent, while Greek idioms are sprinkled over his pages. Indeed, St. Paul speaks of him as not being of the "circumcision" (Col. iv. 11, 14), and he himself, in Acts i. 19, speaks of the dwellers at Jerusalem, and the Aceldama of "their" proper tongue. Tradition, with unanimous voice, represents him as a native of Antioch, in Syria.






The Expositor's Bible: The Gospel Of St. Luke,New Testament, THE GENESIS OF THE GOSPEL, THE VIRGIN MOTHER, THE ADORATION OF THE SHEPHERDS, A SABBATH IN GALILEE, THE GOOD SAMARITAN