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CineAction
Books by Publisher: CineAction
All books from this publisher
51
books found — Page 1 of 2
Encountering the thing from another world!(Robin Wood)(Essa…
By:
Tony Williams
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Neither hand, nor foot, nor kidney: biopower, body parts an…
By:
Larissa Lai
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The new James Bond: and globalization theory, inside and ou…
By:
Steven W. Thomas
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"Do I disgust you?" or, tirez pas sur La Pianiste…
By:
Robin Wood
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Hop on pop: jiangshi films in a transnational context.(GLOB…
By:
Stephanie Lam
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Sounds like Canada: a reexamination of the development of C…
By:
Michael Longfield
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Atrocities at the door: Peter Brook's Tell Me Lies, im…
By:
Gale Reference Team
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Man(n) of the West(ern).(Anthony Mann)(Critical essay): An …
By:
Robin Wood
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Free films made freely: Paolo Gioli and experimental filmma…
By:
Patrick Rumble
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Antonioni's orgy.(Michelangelo Antonioni's '…
By:
George Porcari
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Trace and travesty: how the Columbus of Sex became My Secre…
By:
Stephen Broomer
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Slow fuse: the cinematic strategies of Tsai Ming-Liang.(Cri…
By:
Marc Saint-Cyr
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Critical voices: points of view in and on The Thin Red Line…
By:
Jeremy Millington
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Six films.(TORONTO INTERNATIONAL FILM FESTIVAL)(Movie revie…
By:
Richard Lippe
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Deciphering Lust, Caution.(Critical essay): An article from…
By:
Alice Shih
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Takashi Miike's cinema of outrage.: An article from: C…
By:
Anthony (African American musician) Williams
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Pop star is the medium is the message: The Man Who Fell to …
By:
Milan Pribisic
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A cinema of recession: micro-budgeting, micro-drama, and th…
By:
Aria San Filippo
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Sharon Lockhart and Steve McQueen: inside the frame of stru…
By:
Edward Bacal
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Body and Soul.(Critical essay): An article from: CineAction
By:
Stuart Hands
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The literary critic, the nineteenth century novel and the w…
By:
Garry Watson
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Who's bleeding whom? Analyzing the cultural flows of b…
By:
John Semley
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Gay guerrilla filmmaking and terrorist chic: Toronto filmma…
By:
Matthew Hays
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Convergence culture and the Caped Crusader: Batman and the …
By:
Dru H. Jeffries
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National Reconciliation and its performative limitations: J…
By:
Jeremy Maron
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Doubting Thomas Michelangelo Antonioni's Blow-Up.(Crit…
By:
George Porcari
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The centre cannot hold: betrayals in Alfred Hitchcock'…
By:
Justin E.A. Busch
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Gran Torino: Clint Eastwood as fallen saviour.(Critical ess…
By:
William Beard
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The purpose of plot and the place of Joan Bennett in Fritz …
By:
Andrew Klevan
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In the web with David Cronenberg: Spider and the new auteur…
By:
Reni Celeste
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THEY KILL FOR LOVE.(erotic thriller as a film genre)(Critic…
By:
Douglas Keesey
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Flowing desire, floating souls: modern cultural landscape i…
By:
I-Fen Wu
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